Score to Screen with Alexandre Desplat (Little Women)
Award-winning composer Alexandre Desplat reflects on how he crafted the modern score for Little Women by drawing on personal memories with his sisters, utilizing two pianists and four hands to represent the women in the film, and recording in New York City with various esteemed musicians.
Score to Screen with Daniel Pemberton (Enola Holmes)
Composer Daniel Pemberton provides a glimpse into how he crafted the sweeping, melodic score for Enola Holmes by integrating themes based off the playfulness of characters and their exciting adventures.
Score to Screen with Jung Jaeil (Parasite)
Parasite composer Jung Jaeil tells of his experiences working alongside director Bong Joon-ho and crafting the minimalist, piano-driven original score for the Academy Award-winning film.
Score to Screen with Martin Phipps (The Crown Season 3)
Martin Phipps is the featured guest on this Score to Screen podcast. The Crown: Season Three composer reveals how he captured the emotions of each character to allow the audience to lean more into the drama. Listen to Phipps discuss…
Score to Screen with Mark Korven (The Lighthouse)
Composer Mark Korven elaborates on his experience working alongside director Robert Eggers while composing the hypnotic score for The Lighthouse.
Score to Screen with Colin Stetson (Color Out of Space)
Color Out of Space composer Colin Stetson breaks down his process of layering different sounds in order to find the sonic representation of a color that is between magenta and hot pink.